A compressor is a tool that helps you reduce the dynamic range of your recordings. If you don’t have an equalizer or a noise gate, you can also try using a compressor. You can use it to reduce the amount of reverb in your recordings. – The "Release" slider lets you adjust the speed at which the noise gate will stop reducing the volume of your audio file. – The "Attack" slider lets you adjust the speed at which the noise gate will reduce the volume of your audio file. – The "Threshold" slider lets you adjust the level at which the noise gate will start to reduce the volume of your audio file. There are a few different sliders that you can use to reduce reverb: These sliders let you adjust the tone of your audio file. The noise gate window has a number of different sliders. To use a noise gate, open your audio file in a audio editor like Adobe Audition or Audacity. It can be used to reduce the amount of reverb in your recordings. A noise gate is a tool that helps you reduce the amount of noise in your recordings. If you don’t have an equalizer, you can also try using a noise gate. Once you’ve adjusted the sliders to your liking, click "OK" to apply the changes. – The "Gain" slider lets you adjust the volume of your audio file. – The "Q" slider lets you adjust the quality of the frequency bands. – The "Bandwidth" slider lets you adjust the width of the frequency bands. – The "Frequency" slider lets you adjust the frequency of your audio file. The equalizer window has a number of different sliders. To use an equalizer, open your audio file in a audio editor like Adobe Audition or Audacity. An equalizer is a tool that lets you adjust the tone of your audio files. There are a few different ways to get rid of reverb, but the most common is to use an equalizer. They will probably be the primary focus of any mix and you might not even have to amplify any of the other instruments (especially if they have their own amplifiers).Vox Stomplab 2G Reverb direct recording demo Probably the best idea when starting out is worry about the vocals first. Most of them have to do with bands in clubs, but the same basic techniques apply (this is overkill, but a great basic introduction to live sound reinforcement: ). To that end, you should try researching some live sound engineering techniques. Other people may have other ideas, but the main thing is to get the best sound possible for the group you're working with. And to me, "over-use" means anything more than +-6db on any frequency band. As you noted, things start to get strange very quickly when you over-use the equalization on a channel. I would also caution against using equalization (EQ) to try and solve a bad signal problem. For those shyer performers, you may need to give them a nudge in the channel gain department, but really if they are giving you a good, consistent signal to work with, it should be fine. ) and try to get your groups to use some of the basic handling and presence techniques in order to get a better sound. First, if you have any influence at all with the performing groups, search around the web about microphone technique (here's one. Some mics are worse than others about this, and you should get some time alone with the system and see if you can reproduce the problem to know for sure.įor the balance problems, there are other things to try. You might also be picking up 'handling noise' from your microphones. Some of the 'popping' sounds might be removed by simply buying new cables for your microphones and speakers and checking all of the cables (and mixing board channels and effects. Similarly, there might be some relatively easy fixes for these issues. I've worked with schools, churches and other organizations without a proper sound system and have been able to get some good basic mixes.
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